Uzbekistan is currently experiencing an architectural renaissance. In 2026, public space design in Tashkent and Samarkand reaches a new level, blending the geometry of ancient madrasas with the sleekness of European minimalism. We explore the concept of 'Silk Road Modernism,' the use of natural ganch and carved wood in modern reception desks, and why Uzbek hospitality demands lobby design as an oasis of calm and luxury amidst a bustling metropolis.
Tashkent: Capital Scale and Geometry
The heart of Uzbekistan — Tashkent — dictates a trend for 'heavy luxury' with an Eastern accent. In 2026, receptions in capital business centers are designed using massive white marble slabs and brass inlays. Special attention is paid to lighting: we create scenarios mimicking shadow play in traditional courtyards. This transforms a functional zone into a space for contemplation where every detail matters — from facade texture to the green tea served upon arrival.
Samarkand: Blue Mosaics in a Digital World
Color as Code
The magic of Samarkand lies in its color. In 2026, we integrate deep azure and turquoise shades into reception design via modern materials: backlit glass agglomerate or handmade ceramic panels. The desk ceases to be mere furniture and becomes an art object telling the Silk Road's story. Using traditional 'girih' patterns in metal perforation allows for dynamic light patterns on floors and walls.
